Tyrsa Fawn Pratcher, a true Stamford native, was born in the Stamford hospital in 1965, and received her education throughout the Stamford public school system. She holds a Bachelor of Arts degree from The University of Connecticut, where she received the “Stamford Campus Scholar in English,” and the “Award for Excellence” in English. She has served her country through an enlistment in the United States Marine Corps, where she received the Navy Achievement medal, and an honorable discharge. During “Operation Desert Storm” in 1991, she was recalled to active duty and later discharged at the rank of Sergeant.
Tyrsa is the author of “Keeping the Store,” an increasingly popular book of poetry, that is inspiring, truthful, funny, and real. As one reader put it, “it has teeth!” She published this first book through her own company Fawn Publishing. Tyrsa expects to release her much anticipated, second book of poetry, entitled “Broken in Pieces” in 2007, and is at work on her third book. Another one of her goals is to help other aspiring authors pursue their dream of publishing. Her book is available through BORDERS bookstores, UCONN Co-op downtown Stamford, and on her website www.fawnpublishing.com.
When I asked Tyrsa to name her favorite jazz musician she said, "Kersten Stevens God-given gift as a violinist serves as an awesome inspiration to me as a poet. This is a divine connection, which I am delighted to be paired with. When she plays, my poetry is taken to new levels. To put it poetically: the poetry is given wings of an eagle – which allows it to soar into the heart of the listener."
What is the relationship between jazz and poetry, and what is the importance of each to our culture? I asked.
"Jazz and poetry are related in the sense that they are very deep expressions of the heart, birth out of the pain and joys of the human experience. Jazz reaches the soul of man through the ear, while poetry is absorbed through the eye as well as the ear. Both jazz and poetry cause us to look beyond the surface,
which is essential in raising societal awareness in our culture."
Kersten Stevens, the musically gifted, beautiful, virtuosic & poised professional violinist, is truly a gift. Being blessed with a talent for jazz, gospel and classical performance, she has excelled from a local star hailing from Stratford, Connecticut to a national buzzworthy artist! A recent graduate of the Yale University Class of 2006 with a B.A. in Music and African American Studies, KERSTEN’s musical journey began with classical violin instruction at the age of three. She began studying and performing jazz, gospel and contemporary styles at age fourteen! Kersten has since been the opening act for the late Ray Charles, made a 2004 appearance for the National Boys and Girls Clubs at the request by Denzel Washington, appeared in 2005 as a featured soloist with Dionne Warwick and the New Haven Symphony Orchestra, performed with world-renowned jazz violinist Regina Carter, has studied with violinist John Blake, Jr., and has twice taken Showtime at the Apollo by storm, winning competitions in 2003 and 1999!
KERSTEN’s stirring violin improvisational skills have received a number of awards and recognitions. In 2007 she was awared Gospel Instrumentalist of the Year by Connecticut's Holla Back Video Awards. She was crowned the Hal Jackson's Talented Teen Miss Connecticut 2000 and International 1st runner up and in 2002 was the Gold Medal winner of the NAACP Afro-Academic, Cultural, Technological and Scientific Olympics in the Music/Instrumental Contemporary category. Also in 2002, she received awards from the Greater Bridgeport Symphony Youth Orchestra for musical excellence and from Vivian Ayers-Allen and Phylicia Ayers-Allen Rischad for her musical accomplishments. Recently, she was awarded for artistic excellence by the Afro- American Cultural Center at Yale University.
Kersten has completed two solo projects. The Beginning, released in 2002, features jazz classics like Duke Ellington’s “In A Sentimental Mood” and funk charts like Stevie Wonder’s “Master Blaster.” September 2005 celebrated the release of Kersten’s highly anticipated sophomore gospel album entitled Walks of Faith. A fusion of contemporary jazz and gospel, the project features such legendary musicians such as bassist Lonnie Plaxico and is complete with gospel standards “The Lord’s Prayer,” contemporaries like “Shabach” and spirituals like “Sometimes I Feel Like A Motherless Child.” The album is truly an electrifying musical and spiritual experience!
The dynamic virtuosity of Violinist Kersten Stevens distinguishes her as one of the most uniquely gifted artists to hit the scene today! She continues to perform across the country and now has a wonderful Christmas CD out entitled "The Gift." Kersten looks forward to sharing her music across the world.
Nearly everyone would agree that music is one of the most significant and enduring art forms ever created by mankind, though most people still view it primarily as entertainment. An astute few seem capable of looking beyond music's obvious entertainment value, and among these is bassist Russel Blake. He views music as both a tool for healing the spirit, and as a means of removing the cultural barriers which divide us, by serving as mankind's universal language. Blake strives to convey this message not only through his music, but also through his words and actions. To Russel Blake, being a musician is a gift which carries with it a serious obligation.
During the 50s, Blake's parents moved from Panama to Brooklyn, New York, where he was born on May 27th, 1961. On his twelfth birthday Blake received an electric bass as a gift from his father. He was then compelled by his father to practice for four hours every day, just as his older brother (noted bassist Alex Blake) had been. "It was something that I did not enjoy at first. This was [my father's] vision, not mine. So at first I was resistant. For the first three months that I began studying the instrument, it was not only to teach me how to play the bass fundamentally, but to teach me to be a first-sight reader. My father saw to it that I was prepared, as a professional."
At twelve years old, and with just three months experience playing bass, Russel Blake played his first professional gig. "There was a fifteen piece Latin band that needed a bass player. So they called my father to see if [my brother Alex] was available. My father said 'No' but that he had another son who played bass. My father brought me to the gig and they thought my father was going to play, because he was carrying the amplifier and the bass. When they found out that I was going to play, they were very resistant. They were adamant and indignant about the fact that they were grown men and professionals—they could not share the stage with a child! My father had to argue on my behalf. This was at the eleventh hour, so they had no other choice. They counted it off and I read everything first-sight. At the end of the evening, instead of fourteen enemies, I had fourteen friends. “When preparation meets opportunity, success is achieved." explain this statement
Russel Blake's desire to move beyond the traditional boundaries of music is a mindset gained during his childhood. Blake has long admired musicians such as John Coltrane, Jimi Hendrix, Art Tatum, and Sonny Rollins. "Those individuals transcended the capabilities and expectations of their instruments. So that was my goal, to emulate those individuals who took their artistry and transcended the expectations of it." Interestingly, Russel Blake would later spend five years as exclusive bassist for one of his idols, Sonny Rollins, with whom Blake toured and recorded two albums. "The beauty of working with individuals like that, is that you quite often learn as much from them off stage as you do on stage, because you have the opportunity to interact with them on a spiritual level, on a mental level, [and] on an emotional level. It forms you, makes you more whole as a human being."
The intensive practice and study regimen Blake began as a child continued into adulthood, enabling him to explore and develop new methods for playing his instrument. "I had to start looking at myself more as a musician, and not just an individual who is playing a supportive instrument in a band. I wanted to transcend that. In my studies, when I began playing the melodies of songs I missed hearing the bass. And when I began playing the bass I'd miss hearing the melody. So I decided to start experimenting." Blake created and now teaches the novel method of playing the four string electric bass which resulted from that experimentation. His Melodious-Chordal Technique emphasizes a unique blend of harmony, rhythm, and melody, all played simultaneously.
"The first thing I had to overcome was the mental block that says that a four string electric bass isn't capable of performing works by Beethoven, Tchaikovsky, Mozart, Coltrane, or ragtime music from Scott Joplin—because of expectations. When people speak of soloists, they don't think of the four string electric bass. They conventionally think of a violinist, a pianist, or a guitarist." Blake has added more than 400 songs to his repertoire as a four string bass soloist. His remarkable talent is showcased in a four-CD series entitled Ten Fingers & Four Strings Solo Series (Man of Psalms Records, 2008).
Blake has served as a U.S. State Department Goodwill Ambassador in Africa and has performed live before audiences in more than 60 countries. His extensive touring and interaction with audiences world-wide has convinced him that music can breach the barriers often presented by language, race, religion, and cultural tradition. "The beauty about being a musician is that music is the universal language. Whether it was Vietnam or the high mountains of Europe, they didn't speak a word of English and I didn't speak a word of their indigenous language. Music was the language that brought us together. It was the force that brought down the wall of ignorance, the wall of non-communication, the wall of distance. Once you put a smile on their face or a tear on their cheek, once you've touched their heart, you are communicating. After the concert, folks come up and struggle to speak English, and you struggle to speak their language. But even if only two or three words are exchanged, it's understood. The most important thing is that you were able to shake hands, you were able to embrace, and you were able to start to form a friendship that will continue."
Equally important to Russel Blake is the contention that music can provide healing to those with spirits in need of consolation. "If people are coming to a concert, then they're coming not only to be entertained, they are coming to be healed, coming to laugh, cry, to feel hope again. [Music] takes their mind off of their problems. We never know what an individual is going through in an audience that comes to hear us perform. There have been people who have come to a concert having suicidal thoughts. And as a result of that concert, they left feeling entirely different. The importance of music cannot be overestimated."
During a series of concerts at Ironwood State Prison, in Blythe, California, Blake performed for an audience of 5000 hardened criminals that included murderers, rapists, and members of opposing race-based prison gangs. "These men are sentenced to 400 years, 500 years, life." As he took the stage for the first of those concerts, the powerfully-built Blake presented an imposing figure, and yet he suffered the jeers, catcalls, and derision one would expect from such an audience. "I just stood there and looked at them as I would a group of students who are being unruly. When they realized that I wasn't being intimidated by them, they sat down and I began to perform." Because Blake's repertoire includes music from numerous genres, his performance appealed to nearly everyone present. "After the first concert, word spread [and] the inmates couldn't wait to come and hear. The interesting thing I found, was that they were all brought to the same space by virtue of the power of music, and as a result of music creating that ambiance by which we could sit together in peace. It was a very dynamic experience.
"At the end of the concert, [prisoners] came to me and thanked me for coming to perform. Some of these men were crying because they said nobody would come there to perform for them. People that are [invited] to perform are generally intimidated. They don't want to go there. I welcomed the invitation, because what more challenging audience can one have than a group of inmates—people who are incarcerated and have nothing to lose? So there is a viable audience for a musician who is willing to be challenged in their artistry by performing before inmates. Our gift is not ours to keep for a selected group of audiences. Our gift is given freely by the Creator, that we must share with all who would listen, in order for their healing to take place.
"Most recently I did a solo performance for Atlanta Children's Hospital, and I performed for terminally ill children. These children were, as you might imagine, very sad. They were hooked up to IVs and machines, and this was their life 24 hours a day. [It] was a grave responsibility to not only overlook their condition and their circumstances, but to find the strength within myself to bring some sunshine to them. These were children, so they were not aware of pieces by Duke Ellington, or pieces by Jobim, Beethoven, etc. But by performing these pieces, it widened their eyes, it brightened their smiles. They were so happy, and that was very clear [evidence] of how music can bring healing into someone's life. I know, for that moment in time, I was able to touch their lives; I hope as effectively as they touched mine.
"The importance of music cannot be overestimated. The importance of wisdom, knowledge, and understanding to make that music more substantive, can not be overestimated. We should allow ourselves to become interested in geology, and interested in philosophy, to become interested in so many other avenues of knowledge that are available to us. By doing so, it changes our perceptions. And once your perception is changed, you then apply that not only to yourself as a human being, but you apply it to your craft. And you begin to understand your place in the scheme of things, and how important it is to be a musician."
NEW BOOK ~~> Russel also will have book of Inspirational Writings/Poetry coming out in September titled "Proverbs 31: The Virtuous Black Woman."
To visit Russel Blake's website CLICK HERE
Born and raised in Gary, Indiana, Robert Sells aka "Anointed Poet" is a graduate of West Side High School. He received his Bachelors Degree in Accounting from Indiana University-Northwest. He has been writing since age 11. He enjoys writing poetry, reading, singing with his churchs’ praise team and spending time with his wife, Marlas and daughter, from a previous marriage. He is a member of Embassies of Christ Kingdom Ministries in Gary, Indiana. He and his wife reside in Merrillville, Indiana. WORDS OF INSPIRATION: A Collection of Poems for the One You Love is his first book.
Robert is a Christian author with a strong psalmist anointing on his life. His second book, “Words of Inspiration: Speak Healing” was released on April 28, 2008. Robert's first book, “Words of Inspiration: A Collection of Poems for the One You Love” was selected as the WeAreFearless Online Book Club's "Pick of the Month for July 2007. Consistently receiving favorable reviews, his work has been featured in several magazines, including the January – March issues of Christian Voice Magazine, a cover story on the January 2008 issue of Global Influence Magazine, as well as a host of others. His Christian love poem "Empty" is currently featured on the newly-released CD, "Poetry Over Music Volume II: Different Shades of Love". He has also been featured on “Poetry Over Music Volume III: Rhythm & Poetry” with his poem “Here and Now”. Sought after by many groups to create personal poems, he makes a regular appearance on a gospel showcase broadcast live on WYCA 102.3FM. Robert has been interviewed on many radio programs.
Robert currently serves as the Poetry Editor for Divine Inspirations Magazine, where he is also a contributing writer. He has just released a maxi-single which has 3 tracks from the highly-anticipated debut CD release, “The Heart of a Man”. He has ministered the Word of God at several Women's conferences and was a featured author on a panel discussion for Go' on Girl Book Club's 2007 National Conference in Cleveland, OH and the WAGFEST National Author’s Conference in Seattle, WA and Cincinnati, OH. He has recently been featured on an episode of “The John Lanier Show”, a syndicated Christian talk show. Following the assignment the Lord placed on his life, he is currently hard at work on the third book in the "Words of Inspiration" series entitled “Words of Inspiration: Through the Word of God”, as well as a short story novel he is co-writing with his beautiful wife, a spoken word CD entitled “The Heart of a Man” set to be released by December 2008, and a novel to be released in 2009.
If there’s one thing NBA star-turned-musical giant Wayman Tisdale learned from his former career, it’s that there’s no substitute for hard work. Emerging as one of the most consistent and admired players during his 12 years in the league--segueing from the gold-winning Olympic team to stints with the Indiana Pacers, Sacramento Kings and Phoenix Suns--his towering frame, exceptional strength and relentless work ethic made him one of the game’s most dominating power forwards. Tisdale still lives and breathes this work ethic as a musician. True to character, he is a trailblazer in the field of music with his unique use of the bass as a melodic lead instrument.
It’s this single-minded drive that propels the bassist forward while crafting what he considers his most ambitious and mature CD to date, Way Up, and he hopes to take listeners way up with him. Tisdale is at the top of his musical game on Way Up, which will be released in July 2006 from Rendezvous Entertainment, the label co-founded by saxophone star Dave Koz.
On Way Up, Tisdale continues to display the musical skills that landed his first five albums in the Billboard Top Ten. His latest features 11 songs in which Tisdale showcases how he has developed as an artist during the past dozen years. “I feel like I’ve grown up with this album,” he explains. “The way I matured as a basketball player is the same way I’m evolving as a musician, taking more control of this album and gaining the confidence to do this on my own.” The title for the album arose while Tisdale was discussing possibilities at dinner with Dave Koz, who remarked, “This album is going to be way up,” and right then they knew they had the title.
Way Up boasts collaborations with Koz, Eric Benet, George Duke, Bob James, Kirk Whalum, Jonathan Butler and Jeff Lorber, all a dream come true for Tisdale. “Working with Dave again on ‘My Son’ was a great experience,” says Tisdale. “Being such great friends, it was a high point for me to collaborate with him on this song.” Tisdale is especially excited about his version of “Get Down On It,” which was produced by Darren Rahn, who also produced Tisdale’s last #1 hit “Ain’t No Stoppin’ Us Now.” “Sometimes remaking such classics can be a challenge,” he explains, “because people are so familiar with the original. But on ‘Get Down on It’ we came up with a fresh approach and it has people bugging out of their heads.”
Label-mates Jonathan Butler and Kirk Whalum are featured on the soulful “Sunday’s Best.” “You can feel the love on this one! Our spirits are inter-twined as we play together.” The three are touring this year as part of the Rendezvous All Stars. “Tell It Like It TIS” is a track written by and featuring funk legend George Duke. The R&B ballad “Sweet Dreams” features a soaring vocal from the Grammy-nominated Eric Benet. Grammy-winning jazz pianist and composer (“Theme from Taxi”) Bob James joins Tisdale on the playful “Conversation Piece,” a song co-written by Tisdale and Rahn.
Wayman Tisdale was born in Fort Worth, Texas and raised in Tulsa, Oklahoma. The son of a minister, he still embraces his Bible Belt roots which have shaped his strongly faith-based life. Tisdale first fell in love with his chosen instrument while watching the bass players in his hometown church, led by his father, the late Rev. Louis Tisdale. He recalls, “I thought they were the coolest cats. They got to stand and do their thing in the back. I’d watch their fingering and how they played.” One day, his father bought young Wayman and his two brothers a Mickey Mouse guitar each. Although his brothers quickly turned them into paddles and baseball bats, Wayman immediately began teaching himself how to play. “It’s the greatest gift my dad ever gave me,” he says.
A gifted athlete, Tisdale spent much of his youth on the basketball court when not making music. He played for the University of Oklahoma Sooners from 1983 to 1985 and became the first player to have his jersey, number 23, retired. All three years at Oklahoma, Tisdale was a member of the John Wooden Award All-American Team, and in 1984 he played on the U.S. Olympic team which brought home the gold. In 1986 the Indiana Pacers selected Tisdale as the No. 2 pick in the draft, behind Patrick Ewing. For the next 12 years, Tisdale left his mark on the NBA with the Pacers, Sacramento Kings and Phoenix Suns, scoring more than 12,800 points and pulling down more than 5,000 rebounds in a 12-year career.
Before he retired after the 1997 season, Tisdale had already made the transition toward a career in music. In 1995 he released his debut CD, appropriately titled Power Forward, which went to No. 4 on Billboard’s contemporary jazz charts and, like all of his music, crossed over into the R&B charts. His subsequent albums In the Zone, Decisions and Face to Face all landed in Billboard’s Top 10, with 2001’s Face to Face going all the way to No. 1. Hang Time, his debut release on Rendezvous Entertainment, set a record for Tisdale staying in the Top Five longer than any of his previous releases. Tisdale has had two #1 radio hits with “Can’t Hide Love” and Hang Time’s “Ain’t No Stoppin Us Now.”
In addition to his solo career, Tisdale has played on CDs by some of the most popular musicians in contemporary jazz, including David Sanborn, Brian Culbertson, Everette Harp and the jazz supergroup Maximum Grooves. His playing garnered the attention of Jamie Foxx who in a recent issue of Rolling Stone chose Wayman to play bass in his “dream band.” “Wayman can play, brother, and that’s it,” said Foxx. Tisdale also finds time to develop future musical stars through his company, Tisway Productions. In 2002 he was inducted into the Oklahoma Jazz Hall of Fame with the Legacy Tribute Award. The NAACP also nominated him as “Outstanding Jazz Artist” for its 2004 Image Awards.
Tisdale currently moves between his homes in Tulsa and Los Angeles with his wife Regina, with whom he has four children. His Tulsa home includes a pond stocked with fish so he can indulge in his passion, fishing, while helping in the garden and horseback riding with his son. Outside of the home, Tisdale regularly takes tae bo with Billy Blanks, calling it his new addiction and the best workout since playing in the NBA.
Yet fishing, tae bo and other hobbies aside, Tisdale says that his first passion is entertainment. “I was born to entertain,” he says. “I just love people and I feel like entertainment goes right in line with my personality. Whether it’s on the stage or playing basketball, it’s just what I’ve been called to do on this earth.” Born: June 6, 1964 | Died: May 15, 2009
To visit the Late Wayman Tisdale's website CLICK HERE
My name is Clayton E. Corley, Sr. aka Big Trigger host and producer of an award winning internet program!